A drum corps is composed of three types of drummers, none more important than the others. The bass drum provides the rhythmic and harmonic foundation for the band as a whole, the snare drummers provide the drive and dynamics and…
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NOW WHAT??: Tackling the "Three RRRs" (Reading, Rolls and Rudiments)
The Three RRRs are the elements every drummer needs to fully understand pipe band drumming: Reading, Rolls and Rudiments. To help drummers with these three elements I've created three books:
The Bare Bones introduces applicable music…

Demystifying "Pointed" vs "Round"
There are two mysterious words used over and over by experienced pipers and drummers: pointed and round. Each of the five styles we play are either pointed or round--some are really pointed, others are more round depending on the…

10 Extended Roll Sequences to Spice Up Your Drum Scores
Extended roll sequences can add a bunch of musical possibilities to any drum score. When composing a new score, it is always important to include some extended rolls to add dynamics, texture and some interesting syncopation to your pipe band's…

Practicing Subdivision: The March Style
When you go to see a rock band play, a common conversation after the show involves how "tight" the band played. If you see a "tight" band it's a good bet that all their count ins, stops, shots, endings and…

Roll Call: Identifying Rolls in Your Written Music (Part X: The Strathspey)
Welcome to the final blog post of "Roll Call"! This week we'll be looking at the execution and use of rhythm syllables for rolls in a strathspey. As I've discussed in previous blog posts the strathspey is the least understood…

Roll Call: Identifying Rolls in Your Written Music (Part IX: The Strathspey)
In part IX of "Roll Call" we will be learning to identify rolls within the most musically complex style we play: the strathspey. A typical strathspey contains the following rolls types:
- Four stroke rolls
- Five stroke rolls
- Six stroke…

Roll Call: Identifying Rolls in Your Written Music (Part VIII: The 6/8 March Cont'd)
The rolls in a 6/8 march are the most complex you'll find in any style. Whereas the rolls of a 2/4 march contain mostly triplet sixteenth subdivisions, rolls in the 6/8 march contain three distinct subdivisions:
- Triplet eighth notes…

Roll Call: Identifying Rolls in Your Written Music (Part VI: The Jig Cont'd)
As discussed in Part V, jigs are written in 6/8, a compound time signature based on groups of three. Today we will discuss the rhythmic breakdown of rolls found in the jig style and the use of rhythm syllables…

Roll Call: Identifying Rolls in Your Written Music (Part V: The Jig)
Welcome to Part V of Roll Call! In this ten part series I'll be focusing on the identification and execution of rolls in the five styles of music we play. Today we'll be concentrating on the jig style. The jig…

Roll Call: Identifying Rolls in Your Written Music (Part IV: The Round Reel Cont'd)
In "Roll Call" Part IV I'll be discussing the breakdown and use of rhythm syllables for rolls commonly found in the round reel. This has been a very challenging section to write and has been very "eye-opening" as the exact…

Roll Call: Identifying Rolls in Your Written Music (Part III: The Round Reel)
This week, in part three of "Roll Call", we'll be discussing how rolls appear in the round reel. In the pipe band drumming idiom there are two types of reels: those that are played with swing (using dot and…

Roll Call: Using Rhythm Syllables (March)
To add to last week's post, it is possible to use rhythm syllables (as found in The Bare Bones Reading System) to help you figure out the timing of your buzz strokes. In an effort to streamline the post I…

Roll Call: Identifying Rolls in Your Written Music (Part II: The March Cont'd)
Last week we learned how to identify every type of roll used in a march or reel. Now that we know what the different rolls look like it's time to move on to how they are played. Before we begin…

Roll Call: Identifying Rolls in Your Written Music (Part I: The March)
In an earlier blog post (Know Your Roll), I attempted to help drummers identify a five stroke roll across the five styles of music we play. After some reflection, I realized a change in approach was needed. Instead…

Drill the Skill: The Ratamacue
Hmmm... it doesn't look very intimidating... but there is sits, the DREADED RATAMACUE: one of the most maligned and complaint inducing rudiments we play. It is a simple rudiment to understand yet one of the toughest to execute consistently. Starting…

Drill the Skill: The Open Six Stroke Roll
For a snare section, the ability to play in perfect unison with each other is the toughest goal to achieve. Pipe band snare drums are notoriously unforgiving due to their extreme volume level making every tiny mistake or rough patch…

Know Your Roll: Recognizing Five Stroke Rolls in Your Written Music
"What kind of roll is this??" Every pipe band drummer has uttered these words at least once during their education. Anyone who has ever taught pipe band drumming hears this question multiple times every lesson. The reason it is so…

Respecting the Fundamentals (Part III): The Power of the Paradiddle
One of the first rudiments I ever learned was the paradiddle. The paradiddle is very simple: RLRR LRLL. It can be taught to young students in a matter of seconds but, with all its combinations and permutations, can take a…

Getting Your Drum Corps on the Same Page... Literally!
In my early years writing drum scores I used loose leaf paper, a pencil and (most importantly) a good eraser. There were virtually no music notation programs available and those that did exist could not handle pipe band drumming notation…

Introducing: "The Bare Bones": A Reading Method for the Pipe Band Drummer
Pipe band drumming music is almost impossible to read. In fact, it is not only hard to read but, to anyone unfamiliar with the style, it is completely inaccessible. I have been trying to figure it out for the last…

Notating "Light and Shade"
For hundreds of years most of the Western world has been using a system of Italian symbols in their written music to indicate dynamic levels (loud and soft). For some reason, pipe bands have yet to catch on to this…

Your Drum Corps Should Read Music. Here's Why:
I didn't always know how to read music. Like many drummers in my generation I learned to play by ear, listening and watching my teachers go through the rudiments. Drum scores were learned by repetition and use of recordings. Written…